To Live and Die and Live displays how Basir, this film’s writer/director/cinematographer, cares more about color than he does a comprehensive edit or overall story even when he is the subject.

While the existing canon of good Detroit movies leaves a lot to be desired, To Live and Die and Live is an excellent step in the right direction.

Stylistically, To Live and Die and Live is cut down to the bone, with the essential action being conveyed but with a vital terseness that both frustrates and keeps you on your toes.

Some details are too brief, some characters aren’t given quite enough time, and some of the twists happen too suddenly. Still, the film is beautifully shot and incredibly powerful, with excellent performances and breathtaking imagery.