What may have been charmingly unworldly in a man becomes disingenuously simplistic in a film that refuses to really look into the forces that propelled his giddy rise and blameless fall.

Giulia Louise Steigerwalt’s (Settembre) sophomore effort definitely has its moments and some standout performances.

Ronchi’s impeccable comic timing subtly brings out the best in Castellitto’s long-limbed, energetic performance, reacting to his absurdity with looks so withering they would stop a freight train.

The art of the film is undeniable. The cinematography, soundtrack, and performances are all thrilling, opening a window onto the Italian style of the period.