Despite its constant thrills, Daniel Calparsoro's The Courier isn't likely to leave a mark once its credits roll.

It gives us a Cliff Notes history lesson on fraud and money laundering.

I will not be the boomer critic who ruins the party by explaining that this entertaining, fast-paced, and grotesque offering, shot with half-hearted composure and zero involvement, is more of the same, but also isn't. [Full review in Spanish]

But in the end, the movie, thick and heavy like an out-of-date ice cream, ends up being, in a way, a victim of itself and of what it wants to denounce. [Full review in Spanish]