The Return

The story, set in contemporary Russia, seems unexceptional at the start. Yet it plays out against a vast wilderness of shorelines and lakes, and turns tantalizing ambiguity into urgent mystery.

The long and eventful fishing trip Dad drags the boys on is simultaneously a very real voyage through the Russian wilderness and also, like, a Jungian trip, man.

Throughout his expertly controlled film, Zvyagintsev never allows a break in the clouds to provide some reassuring sign that the brothers are on solid footing.

Konstantin Lavronenko provides the film with a menacing, glowering backbone, the return of the mythical fatherland who seems interested only in typically masculine, overtly cruel rites of passage as the way to approach his progeny.