It’s a modest success, never tempting overindulgence.

It would be nice to report that there’s more to it. But there barely is, aside from some brutal bits of slapstick violence that temporarily mar the heroine’s face and body with bruises and blood.

It’s a bonafide crowd-pleaser.

A soundtrack that includes ‘90s classic cuts by Tina Arena, 9Tendo and James adds greatly to the atmosphere, but it’s a terrific performance by Browning that really holds the, sometimes, shaggy story together.