Simpson and director of photography Mark Garret manage to place the audience well inside the disoriented, dystopian world inhabited by Veil.

Evans is wonderfully vulnerable and insidious as the mischievously named Sean Veil.

Sadly, after a promising opening, John Simpson's feature debut dissolves into a disappointing hodgepodge of risible overacting and transparent plotting.

This low budget debut feature swiftly squanders an interesting premise of a man under perpetual self-surveillance to become a garbled and illogical thriller.