Still, from the maelstrom of madness and horror there emerges hope. Ultimately, Witches is a film that is as much about love as Sankey’s earlier film, if not more so.

All in all, this is a powerful example of a bricolage-like editing technique that relies heavily on exploiting the copyright laws around fair use to create a prismatic, provocative style of cinema that’s very 21st century.

The personal is political, but in this film that case is made more powerfully with the personal story than the flurry of clips or the theories about history.

Witches is a film for women about women. It’s the kind of film that travelers across the valleys of femininity are looking for.