It's better than fine for an evening's rental, with a nifty plot concept, a charismatic central performance and enough forward drive to power over some rough spots.

Roher provides a satisfyingly unsatisfying, perfectly imperfect ending, with a great flourish that draws attention to this loose end that can’t be tied.

Leo Woodall feels more present in this character, and part of the world of Tuner. In director Daniel Roher, Woodall has found someone who’s working in sync with him.

The film focuses on the fact that Niki refuses to play the piano despite being gifted in it, but I'm not sure the arc fully lands.