Pierre married Florence, the only daughter of a small industrialist. 15 years later, he is the boss, but his middle-class life worries him a lot. When a new young and lovely secretary comes, he starts dreaming.
A movie that wittily points to and sometimes upends its narrative.
D
David Fear
RTTime OutOct 16, 2012
It may be a stretch to call the filmmaker a forgotten genius, but if nothing else, Le Grand Amour makes a case that taix was a fertile clown, overdue for a bow in the spotlight.
R
Richard Brody
RTThe New YorkerOct 15, 2012
Along the way, taix satirizes the marmoreal chill of the bourgeoisie, the small-town gossip mill, and, above all, the absurd yet agonized, blundering yet callous delusions of desire.
R
Robin Clifford
RTReeling ReviewsJan 6, 2013
Director and co-writer Etaix does a fine, funny job in his commentary on modern marriage (at least, marriage in late 1960s France) and infidelity and the damaging power of gossip.