Martin Scorsese’s adaptation of the Hong Kong thriller Infernal Affairs is as tough as a street fighter.

The biggest draw, of course, are the star acts: Caprio, Damon and Mark Wahlberg in particular are electric.

If you like Scorsese, or if you just like thrillers, you'll have a good time.

Monohan’s boldest intervention in his source material, though, comes courtesy of Freud—closing Scorsese’s loop with The Sopranos and offering the director a darker, more contingent vision of the family than his stories of Italian America ever permitted.