Hate

Though some of this might seem a bit old to Americans, Kassovitz has some things of his own to say -- and he says them with nuance, feeling, and authority.

As for Kassovitz, his own go-for-broke visual bravura and highly charged storytelling are so American in feel that the news that he plans his Hollywood seems inevitable.

Stark, exquisite black-and-white photography drains what little cheer there is out of the concrete jungle, creating an alien cityscape devoid of sunshine. But Mathieu Kassovitz's triumph is in finding humanity in every single one of his characters.

La Haine’s powerful warning of how “hatred breeds hatred” establishes a hopeless cycle of violence and devastation, which is shockingly confirmed in the final scene of the film.