I got two words for you, mini-bar. Literally fresh out of prison, Danny Ocean is busy setting up a seemingly impossible robbery. The plan, along with ten other experts he has roped in, is to rob the main vault at Las Vegas that houses the takings from the three main casinos. The original Ocean's 11 released in 1960 is an OK film, more watchable for the Vegas setting and the irrepressible cast of Rat Packers than for any purpose or structure. That this Steven Soderbergh remake trumps the original in every department is a triumph of entertainment values over pure star appeal. Some would put a case up for the cast of Soderberg's film using stars to entice the audience in? But really at the time of release it was a stretch to put George Clooney, Brad Pitt and Matt Damon (all excellent here) on the same pedal stool as Frank Sinatra, Sammy Davis Jr. and Dean Martin. The most striking thing about this remake is that the whole cast seem to be enjoying themselves, mainly because they are not being asked to over exert their performances from their very astute director, they really are just asked to turn up, enjoy each other's company and deliver one of the coolest pictures to have been made in the decade. The film is purely out there to entertain, it has geniality pouring out from every frame, this is a character based heist caper full of laughs and derring do shenanigans - even Don…

Really good watch, would watch again, and can recommend. As far as heist movies go, it's excellent, but I think I'm very picky when it comes to heist movies. In order to get me behind the criminal protagonist, it needs to be overly complex, but not complicated, and there needs to be an alternative motive, such as "get the girl". This entire franchise does a decent job of this, keeping the motives and implementations interesting. Part of the problem with that is that because of how complex the heist is, have the movie is an explanation of how the heist is going to happen (with JUST enough information left out for misdirects), then there is the actual heist, with some misdirects, and an explanation of the gaps, if not the heist itself, then a resolution. That's the formula for every heist movie ever, which is part of what makes it boring. It has to be special to really grab a audience and make it memorable. This movie does all this with a great cast, and certainly enough production value. While it is certainly really interesting and entertaining, I can't really say its a great movie. We can chalk it up as personal bias, but I do think everyone should see this version as it has some historical value and is well worth the watch.

**My favorite movie of all time! A must-see!** Ocean's Eleven greatest strength is its emersion of the audience into the midst of a story already in motion. The pacing isn't weighed down by exposition; instead, the viewer discovers important history and surprises simultaneously as the characters on screen. The absolutely brilliant cast is effortlessly charming, whose antics and charisma fuel the movie to be a wonderful ride from start to finish. You can't help but feel welcomed into Danny Ocean's crew. With amazing acting, storytelling, clever twists, and exceptional directing, Ocean's Eleven is a must-see and my favorite movie of all time. As a young teen who stood firmly in the grunge camp of wearing ripped jeans and rock 'n' roll t-shirts, Ocean's Eleven convinced me that every now and then... suits are cool too.

This new version of the classic heist movie is of course slick: sharply written, acted competently, the stunts and special effects well-made. Still, I can’t say I liked it too much. It was sufficient to entertain, I suppose, but will quickly fade from memory. Then again, the action drama genre is not what I call home. You throw in some humor and you stand a chance of holding my attention, which it just about managed. The hero wanting to get his ex-back is easy to cause traps of stereotypical behavior, and this script fell into some of them. Tess Ocean comes off as one of Terry Benedict’s possessions through much of the film. He shows her deference and she srands by his side, but where is there even a flicker offeelings between them? And actually, there is hardly more emotion between her and the hero come to rescue her. So I give this film a less than rousing “It’s okay,” and will move on.