still here.

There is no commentary about police brutality or the media’s lack of interest in black suffering that feels noteworthy, which makes the whole exercise an empty gesture of poor storytelling that never becomes engaging.

A solid, by-the-book crime drama that meets most expectations (but never exceeds them).

One key performance [Muarice McRae] that is so strong I feel bad that Vlad Feier and Peter Gutter's screenplay felt the need to minimalize it with other subplots.

There's an answer to the mystery of Still Here, but the deeper questions remain unanswered and mostly unexamined.