Gasoline

Stambrini's dialogue seems especially dull, and the screenplay lacks dramatic urgency.

Stambrini and her cinematographer, Fabio Cianchetti, give the proceedings a high-tech, energetic look that keeps the thrill and entertainment levels high.

Containing elements from more than a few of its similarly themed predecessors, the loopy but tautly staged Gasoline still manages to be engrossing throughout its brief running time.

As time tells (remember The Girl?), decidedly lesbian features, unless they have something more enlightening to show or tell, should stick the pornography market.