3 Weeks After

It’s a film which, at every turn, takes the easiest and quickest route towards articulating its trashy thesis.

For all that director Miroslav Terzic has talked up basing this loosely on actual events and discussing peer-on-peer violence with his young cast, the film offers an absurdly bleak portrait of Gen Z that just doesn’t ring true.

For a time, Terzić’s film is acutely controlled.

Terzić’s confident filmmaking is electric, and his bleak vision of the lives of children who’ve grown up in Europe’s most volatile regions is a startling one.