At least Veronica Lake remains in her standard, blonde-bombshell attire, sexily showing off her tiny frame with see-through dresses.

A comedy of political and family intrigues. [Full Review in Spanish]

Solid remake of the 1935 film of the same name.

Hey, Rusty, Little Rubber Ball is back. I told you he liked the way we bounced him around. The Glass Key is directed by Stuart Heisler and adapted by Jonathan Latimer from a story written by Dashiell Hammett. It stars Brian Donlevy, Alan Ladd, Veronica Lake, Joseph Calleia, William Bendix & Bonita Granville. It's re-election time and tough guy politician Paul Madvig (Donlevy) falls for reform candidate Ralph Henry's (Moroni Olsen) daughter, Janet (Lake). Subsequently he throws his weighty support behind Ralph Henry's campaign and irks the underworld gangsters, notably Nick Varna (Calleia). When Ralph's son, Taylor Henry (Richard Denning), is murdered, it opens up a world of corruption, violence, romantic passions and shifty shenanigans. A world that puts Madvig's right hand man, Ed Beaumont (Ladd) firmly in the middle. Hammett's tale had already been filmed in 1935 with Frank Tuttle in the director's chair and featuring George Raft, Edward Arnold & Claire Dodd as the principal players. Few can argue that, now, knowing how film noir became a force in the 40s, a remake was more than appropriate. Heisler's movie boasts a bigger budget, a better cast and crucially a better screenplay. However, the film in truth has problems, even though it rightly crops up as an example of early film noir on account of the thematics at work, where corruption and wealth blends seedily with sexual…