Being Scottish, this movie really does a good job at showing off the scenery in and around Scotland. The story line of this movie keeps you on the edge of your seat all the way through the movie. Mel Gibson does a really good job with the accent and plays a great role as William Wallace in the movie. I cant help by want to stand up and shout FREEDOM! once the movie is finished. Could watched this movie another 1000 times and not get board of watching it. It's a must watch for any one who has not see it yet.

Historical flaws aside, Braveheart is a rousing spectacle. So it comes to pass in the year of 1995 (not a year of our lord I think) that Mel Gibson would craft the award winning epic that is Braveheart, a film that is historically bent in the extreme, that is directed by a man who would go on to have a less than favourable character reputation, and a film that has a heavy handed approach at times. It's also as choppy as a boat ride during a tidal wave, so yes, Braveheart is far from flawless folks. Yet the structure, the epic emotional swirls and sheer spectacle of it all marks it out as a rousing treat. It's a lavish gargantuan epic that somehow seems out of place for the year it was made, perhaps the secret of the films' success is because the 90s were crying out for an epic to get us hankering back to those halcyon days of Spartacus et al. Or just maybe the film punched the buttons of the public psyche because it is a great and grand thing to see the little people rise up and kick some ass? The oppressed and the bullied strike back as it were, surely that theme works for the normal human being? It's a sweeping tale that involves love, loyalty, honour, dishonour, treachery, death & heroes and villains. In short it ticks all the boxes for the genre it sits in (clinical bloody battles superbly full on). Gibson is William Wallace, and although he may struggle to nail the Scott…

When i saw this I was 15 and it was one of the greatest movies I had ever seen. Fast forward to today, I'm 41, and degrees and history and... the battle of Sterling Bridge is like fingernails on a chalkboard whenever I see it. I watched it with my wife and, "no, she was like 3 and living in France." So I don't know. It was dramatic and moody and stylistically beautiful. It was a typical Gibson gore fest and that is always fun. It was well acted, the score added to the drama, and it spawned a movement in Scotland that they are still dealing with today... ... so it is still a really good film. It just, well... where the heck is the bridge?

I am afraid that as a Scotsman, I had way more problem with the factual elements of this than perhaps I ought to have had. We have this history drummed into us as bairns, and so when a grand-scale depiction like this comes along, I excitedly expected more. It doesn't matter a jot that the eponymous Mel Gibson isn't a Scot - that is the acting equivalent of a red herring. What matters is that the story is largely a work of fiction. Gory, beautiful, authentic looking, certainly - but fiction nonetheless. Taken on that basis, then, it is still an entertaining mediaeval drama depicting the struggle of the king-less Scots against the oppression of England's King Edward I (Patrick McGoohan). Using a panoply of familiar faces, it gradually demonstrates the brutality of the English over these vassals, and introduces us to "William Wallace" (Gibson) who is one of the few who wishes to fight back. The killing of his wife at the hands of his local magistrate (Malcolm Tierney) is the last straw, and soon he is working with his kinsman Argyle (Brian Cox) to formulate a plan. What now ensues is a well produced, stylishly filmed drama offering us plenty of scheming and plotting and some seriously gory battle scenes before it all culminates in the unavoidable denouement. It takes it's time to get underway, but once it is up and running it is well paced, there is a minimum of romance, plenty of…