A businessman kills his adulterous wife and is sent to prison. After his release, he opens a barbershop and meets new people, talking to almost no one except for an eel he befriended while in prison.
Like much of Imamura Shôhei’s work, The Eel deals frankly with matters of sex and sexuality, but with an emotional detachment akin to an anthropological study.
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Kevin Thomas
RTLos Angeles TimesFeb 14, 2001
Unpredictable and captivating.
M
Marc Savlov
RTAustin ChronicleJan 1, 2000
A flash of quiet brilliance that resonates long after the images have faded from the screen.
M
Marcelo Paredes
RTCinencuentroJul 20, 2026
...The Eel ultimately constructs a story that insists that, even when all seems lost, it is still possible to do something to change our situation. It is still possible to find some order, some clarity, and some light. [Full review in Spanish]