Aside from a brief and uncritical preface by Columbia University professor Gayatri Chakravorty Spivak, there's no attempt to contextualize Fanon's book.

With not nearly enough signposts along the way to indicate where we are, either in time or place, it's an intimidating argument to follow, despite Olsson's rigidly organized structure.

There are extraordinary images on display here. But it's difficult to understand why this film has emerged now.

This is a clarion call to remember that history is never quite over, it's a living breathing organism that refutes the practises and narrative of 'winners' and 'losers', and pushes us to think of the here and now.