Whatever turns Mr. Boorman’s career took, though, “Point Blank” remains icily distinctive for finding a wholly fresh way into an old theme.

An almost experimental discourse on crime, punishment and revenge brilliantly shot by Philip H. Lathrop.

An intriguing, disorientating 60s artefact.

A film that propels itself into action as a way to reclaim a lost purpose, shielding itself from the existential horror of standing still.