Shank

There are a fair few good ideas in Shank -- a nicely-staged market scene featuring Colin Salmon and an animated fight scene being two -- but they don't come together into anything that even looks halfway like a movie.

Just when you thought grimy gang drama had run out of steam, along comes this dystopian variation, set in a recession-ravaged London 2015.

With its jarring slang, reckless narrative and offbeat imagery, it's as close to being A Clockwork Orange for the Broken Britain generation as we have. It's up to you to decide whether that's a good thing or not.

Diverting enough, but the makers clearly think they're making a statement about knife crime in London and the possibility of it spiralling out of control.