There's infinitely more than one anomaly to be found in "The Anomaly," a thoroughly nonsensical futuristic sci-fi thriller that makes a case for the perils of vanity projects.

Following the Roger Corman exploitation rule book to the letter, The Anomaly wrings maximum bangs for bucks from its tight budget while unashamedly showcasing the director's buff assets.

A smug, risible and far-from-anomalous attempt to beat Hollywood at its own game, from a talent whose commendable reach continues to exceed his grasp.

Apparently, the only thing you have to do to make your film look futuristic is slap superfluous blue lights on everything.