Scintillating, uproarious, substantial, and playfully personal.

In other words, it's perfect, and like the best of the duo's achievements it's an ending I'm going to be pondering for quite a long time to come.

Hail, Caesar! imagines the inner dealings of Hollywood during the early 20th century ... But the film's point for these shenanigans is possibly nonexistent.

Like a bite from a toothless vampire, 'Hail, Caesar!' leaves almost no impression and makes up one of the brotherly directors' least engaging efforts to date.