[Ozu's] sense of generational conflict in a society at risk from within is here at its sharpest and most anarchic.

Perhaps the most delightful of Yasujiro Ozu's late comedies.

A brimming sense of life, in other words, gradually transforms the small talk into a richly devious portrait of humanity being human.

Arguably Ozu's most effervescent film, Good Morning is a pleasantly amusing slice of life from the master.