[Altman] controls things beautifully, proffering credible biographical reasons for her inner disturbances, and borrowing shock effects from the thriller genre to underline the terrifying nature of her predicament.

Images is not remotely an example of hack work -- it's an example of a conceptual failure.

It looks complicated, but it's just confused (1972).

'Images' confirms the decade's turn towards pessimism after the sixties, even demystifying the well-being aura associated with the countryside. [Full review in Spanish]