Deserves to be far better-known as one of the period's more artistically accomplished B-movies.

It may not quite be amazing, but darn if it isn't quite good.

Intriguing thriller.

And he used it to rule their lives…win their love! The Spiritualist (AKA: The Amazing Mr. X) is directed by Bernard Vorhaus and collectively written by Crane Wilbur, Muriel Roy Bolton and Ian McLellan Hunter. It stars Turhan Bey, Lynn Bari and Cathy O'Donnell. Music is by Alexander Laszlo and cinematography by John Alton. Christine Faber ( Bari) thinks she hears the voice of her late husband calling out to her from the beach. Upon investigating she bumps into a mysterious stranger called Alexis (Bey) who seems to know all about her. It turns out that Alexis is a spiritualist, but is he genuine? Christine and her younger sister Janet (O'Donnell) quickly fall for Alexis' spiel and charms, but there are surprises in store for all involved… Sources suggest that preview screenings of The Spiritualist didn't go down too great, some of the more supernatural aspects of the story proved to be unintentionally funny. Apparently? In truth when viewing now it is a bit creaky in that department, but atmosphere is everything in a film like this and the makers get it mostly right. It sort of floats on ethereal waters, never hurried it indulges us in some impressive imagery whilst letting us into the trick laden world of a phony medium. The moon and the sea are characters in their own right, and Alton and Vorhaus bring them into the psychological play, while primary human characters are eit…