A good-enough example of its low-key type, with artwork rather better than usual (less obvious backcloths, etc.), a minimum of artless dialog, good lensing by Arthur Grant and a solid all round cast.

Fisher taps a rich vein of Romanticism here, making this the high point of a series that afterwards degenerated into the sloppy self-parody of Jimmy Sangster's The Horror of Frankenstein.

One of the finest of the seven entries in Hammer's Frankenstein cycle.

Frankenstein Must Be Destroyed might be the worst picture in Hammer’s entire Frankenstein cycle, losing sight of the character of the obsessed scientist in an effort to score some cheap thrills.