Throughout Sixty Six, Klahr unleashes a dazzling array of visual ideas, deftly combined with sounds, silence, or music and all in the service of what he calls the film's "pop associational mindscape."

Cleaves too closely to the pattern set out by more original films with similar subject matter. Its obvious distinctions of time and place come through in clever details, but these don't seem to serve Weiland's autobiography so much as situate it into a fa

Since Mr. Weiland himself had grown up in a Jewish section of North London, he was able to include many details of his own childhood.

A film that tries too hard and wastes a cast of skilled veterans and talented newcomers.