It's thrilling filmmaking, a total blast, and rarely misses a beat.

Wright's ensemble cast has great comedic timing that, coupled with the percussive score and smooth action setpieces, will you ready to peel out of the local theater.

Baby Driver is so poorly written on levels of plot, characterization and (especially) dialogue that Wright's typically first-rate craftsmanship fails to save it-and, in context, even becomes its own source of annoyance.

A splashy one-of-a-kind action musical, Edgar Wright’s ‘Baby Driver’ is a rip-roaring hell of a time where the flash admittedly overshadows the familiar narrative but the style is so unique and so bold that you’ll be too busy toe tapping to mind.