Peele seduces, subverts and manipulates audience expectations - as the masters Alfred Hitchcock, John Carpenter, and Stanley Kubrick did before him.

This brilliantly provocative first feature from comic turned writer-director Jordan Peele proves that the best way to get satire to a mass audience is to call it horror.

Everything in Get Out seems innocuous on first blush.

The lack of tension robs us of the visceral catharsis that is integral to our enjoyment of terror. There’s no shock in the mayhem and little pleasure in the revenge.