Did you know that is was Canius Fanius who forbade the rearing of chickens on the streets of ancient Rome? That’s what you learn from a weekly lunch with your ageing father/grandfather and what “Msr. Ladmiral” (Louis Decreux) imparts to his visiting son “Gonzague” (Michel Aumont) who is visiting for Sunday lunch with his wife “Mercédès” (Monique Chaumette) and three children. Although they all get on fine, I think for the family travelling from Paris this has become a bit of a chore - but he is a jolly old painter who adores his three grandchildren. On this particular weekend, an unexpected whirlwind arrives in the form of daughter “Irène” (Sabine Azéma) - complete with her motor car. Unlike her sibling, she is unmarried and visits far less often but it’s quite clear that she is the apple of the old man’s eye and he is delighted to have them all around him for a day. As that day pans out we begin to learn a little of their family dynamic and, through a few almost sepia-style recollections, we look back upon his own childhood at their idyllic rural mansion. There is something bucolically eccentric about the style of this film, indeed I kept seeing William Hartnell in Decreux’s shoes as the cane-wielding, dapperly attired old gent. Thereafter, we enjoy a characterful critique of how different his two children have turned out to be; how their priorities are pretty much polar oppos…

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