Working with Waltz with Bashir animation director Yoni Goodman, Folman places eye-catching 2D characters against exquisite stop-motion backgrounds. As if in answer to the title, the spectacular designs confirm that she’s right here.

The flashback events of Frank’s life are elegantly interlaced with Kitty’s journey and though a modern refugee subplot feels slightly ungainly, Folman never once loses sight of the overwhelming horror of the Holocaust.

Israeli writer-director Ari Folman, whose own parents survived Auschwitz, explores that weird disconnect between myth and history by, paradoxically, using fantasy.

For me, it's an animated film that superficially boasts beautiful animation in its fantastical approach, but whose bland narrative moves like a train towards nowhere. [Full review in Spanish]