For every scene in which Brynner lifts the picture, there is an equivalent one where Curtis drags it down. They effectively cancel each other out, so that all that is left is a relatively mediocre horse-and-sword adventure.

It seems to be in genre form when showing hordes of Cossack horsemen flying across the steppes to do battle.

Faith and a good Sabre arm. Taras Bulba is directed by J. Lee Thompson and adapted to the screen by Waldo Salt and Karl Tunberg from a story by Nikolai Gogol. It stars Yul Brynner, Tony Curtis, Christine Kaufmann and Perry Lopez. Out of United Artists, it's a DeLuxe/Eastman Color/Panavision production, with the music scored by Franz Waxman and cinematography by Joseph MacDonald. Loosely based on Gogol's short novel, story tells of a Cossack uprising against the Polish forces who have taken control of the Ukraine. At the centre of the Cossack army is the leader Taras (Brynner) and his two sons, Andrei (Curtis) and Ostap (Lopez). But when Andrei falls in love with a Polish princess called Natalia (Kaufmann), it sets the wheels in motion for the Bulba family to crack from within; just as the Polish come calling asking for the Cossacks help to defeat the Turkish. While not as epic as the film, the troubled back story of the production is big enough to lend one to understand why Taras Bulba is not the grandiose picture the story deserves. Main problem comes with casting, particularly that of Curtis as the elder Bulba son. It should have been Burt Lancaster, who walked, so in came Curtis and a decision was made to put him front and centre of the picture. Thus rendering Brynner's title character to playing second fiddle, so much so they really should have called the film Andrei Bul…

_**Cossacks vs. Poles on the steppes of Ukraine (actually Argentina)**_ In the 16th century, Cossacks on the Ukrainian steppe defy their subjugators, the Poles. Yul Brynner plays a hearty colonel while Tony Curtis plays his eldest son, who foolishly falls for a lovely princess in Kiev (Christine Kaufmann). "Taras Bulba" (1962) is based on the first half of the classic novella by Nikolai Gogol, published in 1835. At heart, it’s a sword & sandal flick that meshes “The Vikings” (1958) with Brynner’s “Solomon and Sheba” (1959). There are curious stabs at frivolity and amusement that are absent by the second half. The singing & dancing of the mirthful Cossacks seems a little too choreographed, eliciting a sense of unreality to the proceedings, but it’s such a small part of the movie it can be overlooked. One exhilarating sequence takes place around the 70-minute mark with the various tribes of Cossacks gathering together while galloping the steppe to fight at Dubno. There’s no CGI, it’s literally hundreds or thousands of men on horseback. The movie bombed at the box office. Although it’s not great like “The Vikings,” it’s almost on par with “Solomon and Sheba.” It needed more depth, like milking Andrei’s relationship with Natalia. Still, it’s entertaining enough to check out. Curtis was 36 during shooting while Christine was 16. He didn’t waste much time dropping his wife of…