Iris

There is, for all the frivolity of her business, a gravitas and magnetism about Iris Apfel: she's smart and funny and sassy enough for the viewer to see past a life of privilege and walk-in wardrobes.

Maysles often said that he made [his films] with a sense of love for his subjects. That is certainly true of this film, which is a great parting gift to us all.

She emerges here as a down-to-earth, self-mocking, savvy philosopher, a one-off combination of Madame de Pompadour and a borscht-belt standup: it's not just Iris's glasses that recall George Burns, but her wit too.

Two iconic artists in the twilight of their lives reflecting on their work and how they continue to explore it.