Within the men of “Hell Drivers” you can see the archetypes of British masculinity that would come to dominate cinema for the next couple of decades.

It reaches its highest degree of load in the truck sequences where Stanley Baker demonstrates his driving skills, but sometimes it crosses uneven roads. [Full review in Spanish]

The thriller is appealing for its no-nonsense approach.

The working-class personal/political tension leads to a splendidly drawn immigrant characterization by Herbert Lom and the human drama of Baker dangling from a precipice. Both remain memorable.