The bridge between quirky and irksome is very, very small, but I actually really liked it... It did a very good job of capturing the awkward intimacy of relations, particularly of estranged relations.

The screenplay of this post-mumblecore, millennial When Harry Met Sally trades on good humour and scarlet-making awkward situations.

Zosia Mamet is the major selling point here. In a film that's lovely but unlikely to prove memorable, she shows she can carry a film with immense charm.

There is a wonderfully awkward but natural chemistry between Mamet's Diana and Matthew Shear's Ben that makes the film flow easier, especially in this genre.