Round movie: good story, great cast, impressive stage and fantastic performances. It has it all.

The gift of cinema does credit to the gift of speech. The King's Speech is directed by Tom Hooper and written by David Seidler. It stars Colin Firth, Geoffrey Rush, Helena Bonham Carter, Guy Pearce, Timothy Spall, Derek Jacobi & Michael Gambon. Music is by Alexandre Desplat and photography is by Danny Cohen. The idea for the film came about after Seidler read about how King George VI (Firth) overcame his stammer after a friendship was formed with his voice coach Lionel Logue (Rush). Having himself overcome a stutter problem in his youth, Seidler set about writing his story from informed information. A bonus came before filming started when notebooks belonging to Logue were put forward for use. These enabled Seidler to incorporate works from the books into the screenplay. Plot picks up just prior to George's brother, Edward (Pearce), abdicating the throne, thus thrusting the stammering George on to the hottest seat in England. With World War looming, George will be needed to make the speech of speeches to becalm his nation, but first he must work closely with the affable Logue and hope it brings an end to his vocal woes. I first viewed The King's Speech just a couple of days before the Academy Awards that year, so I didn't know how it was going to perform there. It would garner the Academy Award for Best Picture, Best Director (Hooper), Best Actor (Firth) and Best Original Scr…

Geoffrey Rush and Colin Firth make for quite a pairing in this touching drama of King George VI and his speech impediment. Being called upon for public speaking only increased the anxiety of the then Duke of York (Firth) and so his wife (Helena Bonham Carter) decided that there had to be a better way to treat her husband than sticking an handful of marbles in this mouth. She, as "Mrs. Johnson" sets up a chat with speech therapist Lionel Logue (Rush) and he, having no idea who she really is, only agrees to see him if he comes to his consulting room. Unfamiliar with the backchat, but impressed by his independent mindedness, TRH duly arrive and once Logue gets over the shock, he begins to deal with his new, cash-are, client in a polite but hardly deferential fashion. Gradually we see that progress is being made. Not just with the confidence of the Prince at speechifying, but also with his attitude and behaviour in general. He likes Logue, Logue likes him and thanks to some airfix kits, quite a bit of the old Anglo-Saxon and all under the discreet but potent supervision of the Duchess, the young man comes better prepared for what is to come next - after the Abdication Crisis, that is... There's a great rapport between the two men here as this speculative story offers us a plausible and engaging look at just how tough and unforgiving society was to those who stammered - regardless o…

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