It's worth it for Harris Dickinson and you won't have seen anything like it.

Here is a diverting, self-conscious fantasy sketch of gay life and gay sensibility composed of what the film-maker imagines or remembers of bygone Soho's lost bohemianism.

Despite a skillful use of color, lighting, framing and music, the movie's artificiality might have played in a short film but becomes tedious and pretentious when stretched to 90 minutes.

Dickinson himself is a strong pull, both visually and in terms of his acting prowess, but even though he does what he can with the material, there's just not enough substance there to make much of an impact.