Chinese Coffee

In Carlito's Way, Al Pacino warns us that “a favor’s gonna kill you faster than a bullet.” In Chinese Coffee (2000) we see what he meant by that. Harry Levine (Pacino) and Jake Manheim (Jerry Orbach), whose friendship seems to illustrate that misery loves company, have exchanged favors; Harry loaned Jake $500 to buy photographic equipment, and Jake said he would read Harry's manuscript. Jake, however, has no money to pay the strapped-for-cash Harry back (both are starving artists at an age when this lifestyle has long since ceased to be a voluntary choice and has become "nothing but a long history of failure."), and claims to have not read Harry’s manuscript; in fact, he has stashed the pages in the freezer like a piece of raw meat – there is something in them he finds hard to swallow, let alone digest, because to him it would be not unlike to anthropophagy. The subject of an artist cannibalizing the experiences of someone close to them is common; in the last couple of years alone we’ve had, with varying degrees of success, Steven Soderbergh’s Let Them All Talk and Sam Levinson’s Malcolm & Marie. This material, that essentially comes down to verbal fencing, behooves from a spare setting and cast – which is why Malcolm & Marie succeeded where Let Them All Talk failed; the former is an original screenplay by Levinson, but it would easily feel at home on Broadway. Chinese Coffe…

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