Tilda Swinton wanders the streets of Bogota while striving to understand the strange noise repeatedly sounding in her head, in the Thai master’s latest enigmatic revelation of ambiguous mental states.

One sequence, set by a riverside outside of Bogotá, depicts the thin line between life and death with heart-stopping clarity, making us aware of the smallest physical movements that prove more mesmerizing and rewarding than the typical spectacle...

It’s a beautiful work of cinematic concentration that’s purely Apichatpong.

The concept of Memoria is so entrancing and unique that it warrants a trip to the cinema just for the aural experience alone.