[A] penetrating, mournful portrait of sexual identity in contemporary Guatemala City.

The film's "temblores" - Spanish for "tremors" - are emblematic of the script's preference for allusion over depth.

A prodigiously gut-wrenching demand for change; the film isn't kindly asking for tolerance but bluntly exposing the torment inflicted in the name of a prejudiced God.

A convincing, touching and, at certain points, infuriating depiction of what it means to be a gay man in a society dominated by a very traditional version of the Christian religion.