It won't have much cinematic impact...but I quite enjoyed it, even though it's spectacularly wiggy.

Sudeikis, alas, is no Cruise and his screen persona is too lightweight to inject the film with genuine empathy or to make it anything other than a disposable teaser for the deeper, darker DeLorean drama that will inevitably follow.

The film gives Pace a blank canvas on which to deploy more screen presence than everyone else combined, often just by directing a deep gaze in the general direction of the camera.

Director Nick Hamm and screenwriter Colin Bateman take this story and turn it into a hip, stylish crime saga, in the same vein as films like Blow and American Made, to name a few.