Also muddled: the sense of place, the sense of stakes, and the sense of zombie power and peril.

Tthe swashbuckling, bloodthirsty South Korean film "Rampant" is a rollicking genre mash-up that's what you might get if Hamlet were being chased by the undead for two hours.

Rampant is a little all over the map, with its biggest flaw securely rooted in its inability to maintain consistency in its own mythology - an unforgivable genre crime.

While Rampant is all right with genre beats the movie easily lapses into extended stretches of generic boringness.