January 1st, 2003. When Brazil celebrates President Lula′s historic investiture, two middle-class, provincial families gather in an old, poorly maintained house. As they prepare a big party, secrets, hidden desires and frustrations are revealed.
Domingo is... shambolic, a story full of loose ends. This finally feels very appropriate for a film set at a key moment in Brazilian history that, at least at the time, felt hugely uncertain and disruptive.