The film reads like a faux-hip youth pastor in movie form, only instead of an acoustic guitar, it’s an 808 drum machine luring the kids toward God.

Adds a mostly delightful entry to the musical genre, even if it doesn’t offer a unique take. More successfully it acts as a winning introductory calling card to the acting and musical talents of its rising star, Chloe Bailey.

The premise of taking gospel music and making it sound mainstream is tackled repeatedly seemingly streamlined for the specific audience of the star of that time. This time it's geared for fans of Chloe Bailey. Doesn't take away the fun or the music

Praise This may have some laudable performances and funny moments here and there, but its flimsy and formulaic tendencies make it forgettable.