It doesn't really feel like it has a script. It feels like it has bullet points and these actors are going from bullet point to bullet point, improving the whole time.

It's not terrible, but it's not terribly good, either.

I'll take The Lovebirds as the representation progress it is, but I wish there was more to this than Rae's and Nanjiani's considerable-but not wholly redemptive-charm.

The acting isn't terrible -- it's more so the writing that's terrible...You can't just waste away talent like Issa Rae and Kumail Nanjiani