Drama on spirituality has some bullying, violence.

Although the subject matter lends itself to confusion and the dialogue seems a bit flat, period costumes and interesting settings help us feel a sense of place, and that's important for a movie like this.

**A kind of film that doesn't deserve to be called cinema.** The “film” that brings me here today is truly bizarre: it is a kind of Brazilian production that focuses on the life of a kind of French researcher, whose texts became the cornerstone of a kind of religious-philosophical doctrine that never wanted, or managed, to assume itself as a religion, although it is considered as such by many of its followers. The person who presents this is Wagner de Assis, a kind of obscure director who has dedicated his life and (few) talents to making “films” about Spiritism, which he defends and of which he is probably a follower. I, as a thinking human being, do not feel capable of defining what Spiritism is, or is not: if not even its followers know how to say what they are, I will not be the right person to help them through this existential crisis. What I can say is what this work is not: a film worthy of its name and worthy of our time and money. Esteemed reader, I have a very old and simple rule: always be suspicious about films sponsored by religious organizations. They are almost never good, and almost always made with the aim of surreptitiously indoctrinating unsuspecting audiences. I acquired this rule in the hardest times of my militant atheism, and maintained it after discovering faith and abandoning the “Nietzschean” nihilism in which I lived. I may be a faithful theist tod…

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