David Mahmoudieh and Jenia Tanaeva have crafted quite possibly the best bad movie of 2019. It's "so bad, it's good" escapism at its finest.

You'll be unlikely to hear the dialogue over the guffawing of the audience.

Only the most hopeless of romantics will come close to buying the lovelorn theatrics in this eye-rolling melodrama.

The film isn't without its charms thanks to its unabashedly absurd script and some very amusing references to the real-life world of soccer.