The Dirty Seven. Una ragione per vivere e una per morire (AKA: A Reason to Live, A Reason to Die & Massacre at Fort Holman) is directed by Tonino Valerii, who also co-writes with Rafael Azcona and Ernesto Gastaldi. It stars James Coburn, Telly Savalas & Bud Spencer. Cinematographer is Alejandro Ulloa and the music is scored by Riz Ortolani. Plot sees Coburn as Union Colonel Pembroke, who during the Civil War is given a rag-tag group of criminals to go win back the fort he lost to Confederate Major Frank Ward (Savalas). For him it's a chance to regain his honour, for them it's a chance to avoid execution for their crimes. Joplin Gazette, Joplin Missouri, April 10, 1872 ---Today I walked through the ruins of what was once Fort Holman. 10 years ago, this Civil War fortress, thought to be impregnable, was destroyed by a wild bunch of marauders. Eli Sampson, a survivor of that massacre, revealed in an interview that the raid was the result of a blood feud between two bitter men: Colonel Pembroke, a Union officer, thought to be a traitor and a coward, led the mission to recapture the fort he had once surrendered. Major Ward, a ruthless "Mad Genius," who joined the Confederacy solely to gain command of Fort Holman, so that he could rule the vast surrounding Santa Fe territory after the war. But what motivates these two men and what caused this incredible blood bath, was explained…

This might have worked better had it not taken us forty-five minutes to get to the business end - there is just way too much explanatory preamble telling us why disgraced “Pembroke” (James Coburn) is determined to recapture a fortress he was compelled to surrender during the US Civil War. It’s now occupied by “Maj. Ward” (Telly Savalas) and a platoon of very heavily armed Confederate soldiers. What does “Pembroke” have? Well broke would seem to be operative word, as his tally of men would make the “Dirty Dozen” look like the Blues and Royals. One of his number, though, might just have the guile to help him pull it off. “Sampson” (Bud Spencer) isn’t exactly a law-obedient citizen, but he is the best the Yankee can find to help him lead his men to their hilltop New Mexican target. The last twenty minutes liven it up nicely, with plenty of pyrotechnics, Gattling gun activity and there’s even an early example of a burglar alarm - that does a lot more than beep if it goes off, but the rest of this is all pretty formulaic. On the production side, what really drags it down are the appalling standards of the continuity and the editing. We see the same things blown up, the same soldiers (who couldn’t hit a barn door with an Howitzer anyway) get killed over and over again and the man with the razor blade in the cutting room has clearly not had the time nor the inclination to see the film…

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