Norman Krasna's screenplay, from his Broadway legiter, doesn't really get rolling until it has virtually marked time for almost an hour, but once it gets up this head of steam the entire complexion of the picture seems to change.

Let's just say that Peter Tewksbury's direction makes the whole thing move like clockwork on the screen, where it is done in delicious Metrocolor, and that, naturally, no one gets hurt.

...a briskly-paced and perpetually entertaining comedy...

... A genuinely amusing feature based on the perennial question, "Should she? or Shouldn't she?"